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Showing posts from March, 2021

The advantages of being an amateur artist.

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 I heard a podcast, which I cannot find now, about how Spotify models the sort of songs that are created. For short pop songs, many of which are only 2 minutes long, the song writer and/or performer gets almost immediate feedback about how well the song is doing, and they can change the music. Slower beat, less plays, less income, so let's up the beat. Some song writers are trapped in a disagreeable loop of constant modification in order to earn enough money to live on. (To see how poorly streaming pays songwriters listen to " The Price Of Song " a BBC Podcast in the " Seriously... " series. )  Anyway, musicians chasing more plays reminded me of a disagreement I had with a friend about one of my drawings...  He said that there are certain rules in art which need to be respected, one of them is balance, and my drawing was not balanced. I was amazed at this assertion, as if art must be made for decorative purposes.    That criticism, together with what Spotify is

Whole Body Flossing With Eels

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Yasuaki Shimizu and what happens in Ulster.

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 Two happy discoveries last week.  What Happens In Ulster is a very entertaining mockumentary crime podcast written by Marc McElroy, and starring Diona Doherty. I have to admit I binged on it.  And then I stumbled across a new version of Bach's Goldberg Variations, transcribed by Yasuaki Shimizu for five saxophones and four contra basses.  I've had the versions by Gould and Richter for years... ...and brilliant they are, but Shimizu's version is a whole new fresh rich sound.

Death and alcohol, alcohol and death, the message of the Rubaiyat

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 I was recently given, as a present, a copy of the "Rubaiyat of Omar Khayyam". A lovely volume.  It is a long time since I'd read the whole poem, but this time it struck me that almost every page is about death and alcohol. Fitzgerald, the translator who brought the poem to the West, decided to try to transmit the spirit of the poem, rather than make a literal translation. I can't read ancient Persian, so the only thing I have to go on is the translation. And the Art Nouveau illustrations (mostly by Renè Bull). Come fill the cup... the Bird of Time has but a little way to flutter . There you go, alcohol and death. And as the cock crew those who stood before the Tavern shouted "Open then the door! You know how little while we have to stay and once departed may return no more!" Oh oh! More alcohol and death. And how come Persia of 600 years ago is full of 1920s Hollywood actors? Want some more death and alcohol? Never fear: Ah make the most of what we may ye